Pierre-Paul Pariseau is an illustrator working for a wide range of international clients. He exhibits his personal work regularly, internationally. One of his work is part of the permanent collection of the Museum of Avant-Garde in Mendrisio, Switzerland. Reopening in 2025.

Pierre-Paul Pariseau est un illustrateur travaillant pour plusieurs clients internationaux. Il expose son travail personnel régulièrement, internationallement. Une de ses oeuvres fait partie de la collection permanente du Musée de l’Avant-Garde à Mendrisio, Suisse. Reouverture en 2025.

CLIENTS

BOWDOIN (U.S.A.) - TRICYCLE (U.S.A.) - THE PARLIAMENT (EU) - MÉTAL HURLANT (FRANCE) - ÉDUQUER (BELGIQUE) - TRANSITIONS (FRANCE) - ICARUS COMPLEX (U.K.) - MCKELLAR (U.S.A.) - SCIENCES HUMAINES (FRANCE) - LITERARY REVIEW OF CANADA - GLUG (U.K.) - EPSILOON (FRANCE) - REVUE PROJET (FRANCE) - ESQUISSE (CANADA) - FRANCE-AMÉRIQUE (FRANCE) - EN BLOC (U.K.) - .CENT (U.K.) - FOCUS (GERMANY) - LE DEVOIR (CANADA) - SOFILM (FRANCE) - RETINA, EL PAIS (SPAIN) - WORKING NOT WORKING (U.S.A.) - CARNEGIE REPORTER (U.S.A.) - FERMENT (U.K.) - SOCIALTER (FRANCE) - QUÉBEC-SCIENCE (CANADA) - ENTERTAINMENT ONE (CANADA) - COMMERCIAL OBSERVER (U.S.A.) - FOREIGN POLICY (U.S.A.) - MILKEN INSTITUTE REVIEW (U.S.A.) - WORLD BOOKMARK DAY (U.K.) - TIMES HIGHER EDUCATION (U.K.) - BRITISH MEDICAL JOURNAL - TOMATO FOOD & DRINK (CANADA) - UTOPIE (GERMANY) - RIALTO (U.K.) - KROMATIK (FRANCE) - NOTRE DAME UNIV. (U.S.A.)  -  TSUGI (FRANCE)  -  CANADIAN GROCER -  .CENT (U.K.) -  WALL STREET JOURNAL -   FOOL (SWEDEN)  -  SCENARIO (DENMARK)  - AEDES (THE NETHERLANDS)  -  LE LIBRAIRE (CANADA)  -  UP! WESTJET INFLIGHT MAGAZINE (CANADA)  -  À BABORD (CANADA)  -  HOHE LUFT (GERMANY)  -  ROCKPORT PUBLISHING (U.S.A.) -SUPPLY MANAGEMENT (U.K.) -  READER'S DIGEST (CANADA)

Member of the jury of the "11th Annual Stereohype Button Badge Design Competition" (U.K.), 2015.

Member of the jury of the "Alberta magazine awards", 2017, 2018 and 2019 (Canada).

PRIX / AWARDS

AMERICAN ILLUSTRATION COMPETITION 39, 40, 41. FIVE ILLUSTRATIONS CHOSEN TO APPEAR ONLINE AS PART OF THE ARCHIVE COLLECTION AT AI-AP.COM. 3x3 INTERNATIONAL ILLUSTRATION ANNUAL No.18 and no.19. 3 MERIT AWARDS TO APPEAR IN PRINTED AND ONLINE ANNUAL. 2021-22. NEW YORK, U.S.A. CREATIVE QUARTERLY MAGAZINE (U.S.A.) #16, #21, #26, #34, #57, #58, #65, #68 and #69. WINNERS and MERITS. HIII ILLUSTRATION INTERNATIONAL COMPETITION (CHINA) 2020, TWO NOMINATIONS. 2017, ONE NOMINATION. IJUNGLE ILLUSTRATION AWARDS 2019, 2020 and 2022. 7 MERIT AWARDS (editorial and self-promo). EUROPE. SOCIETY OF ILLUSTRATORS OF LOS ANGELES (ILLUSTRATORS WEST 58), U.S.A., WINNER (EDITORIAL) GO SEE AWARDS (BERLIN, GERMANY). 2014, FINALIST. 2019, MERIT. BRIDGEMAN STUDIO AWARDS 2018 (U.K.), SHORTLISTED. SEMI-PERMANENT (AUSTRALIA) 2008, 2017. LATIN AMERICAN ILUSTRACION 3 (U.S.A.) C.A.P.I.C. (CANADA) 13 TIMES. Member of jury once.
IMAGES (U.K.) #24, #25.
SOCIETY OF ILLUSTRATORS (N.Y., U.S.A.) #38.

 

PUBLICATIONS SPÉCIALES / SPECIAL PUBLICATIONS

“THE ILLUSTRATOR, 100 BEST FROM AROUND THE WORLD”, (GERMANY), PUBLISHED BY TASCHEN, 2019-2020. “200 BEST ILLUSTRATORS WORLDWIDE” (AUSTRIA), PUBLISHED BY LUERZER’S ARCHIVE, 2011-2012, 2014-2015, 2016-2017 AND 2018-19. PICTORIA 2018 (AUSTRALIA), A VISUAL SURVEY OF CONTEMPORARY COMMERCIAL AND SELF-INITIATED ILLUSTRATION PROJECTS FROM SOME OF THE BEST PRACTICING ILLUSTRATORS WORLDWIDE. “FREISTIL - DIE BESTEN ILLUSTRATOREN2014”, “FREESTYLE - THE BEST ILLUSTRATORS 2014” (GERMANY), PUBLISHED BY FREISTIL, 2014.
ILLO 12, 13 & 14 “THE DIRECTORY OF ILLUSTRATION, BY INVITATION ONLY”, (U.S.A.), PUBLISHED BY 3X3 MAGAZINE, 2012, 2013, 2014.
“ILLUSTRATION 2, THE BEST OF CONTEMPORARY ILLUSTRATION” (GERMANY), PUBLISHED BY ZEIXS, 2012.
“FRESH 3, CUTTING-EDGE ILLUSTRATIONS-PRINT” (GERMANY), EDITED BY SLANTED MAGAZINE, 2011.
“GREAT BIG BOOK OF FASHION ILLUSTRATION”, (U.K.), PUBLISHED BY BATSFORD, 2011.
“BIG BOOK OF FASHION ILLUSTRATION, A SOURCE OF CONTEMPORARY ILLUSTRATION”, (U.K.), PUBLISHED BY BATSFORD, 2007.